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ALL THE REQUIREMENTS FOR ALL PREVIOUS THEORY OF MUSIC
GRADES TOGETHER WITH THE FOLLOWING:
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To answer questions on time, keys, all kinds of intervals,
clefs, transposition, ornaments and abbreviations. To answer questions
on the following musical terms and signs: a niente, appassionata, ben, brio,
capriccioso, con moto, delicato, energico, Il, l'istesso tempo, ossia,
prestissimo, presto, quasi, ritmico, semplice strepitoso, stringendo {string.} |
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composition of a melody to given words AND to write a melody
above or below a given melody. Performance directions relating to tempo
dynamics and articulation will be required. Modulation to related keys
will be required. |
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To write or identify triads and their inversions built on all
degrees of major or minor scales, in close position. To write triads
with one note on the bass stave and three notes on the treble stave or in
four-part vocal harmony forming Perfect, Interrupted, Imperfect {4 kinds} and
plagal cadences. To write or identify root position chords written in
close position, these will include major, minor diminished, augmented and
Dominant Seventh chords. To identify the following unessential notes in
given passages: passing notes {accented and unaccented}, auxilliary notes
{upper and lower}, appoggiaturas, suspensions, and anticipations. To
harmonise and analyse in four parts a simple melody using all triads in root
position and 1st inversion {except V11 in major keys and 11, 111, 111b and V11
in minor keys} passing and cadential six-four chords and unaccented passing
notes. |
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To indicate or define any of the following elements of musical
form: division, movement theme or subject, exposition, development,
recapitulation, bridge-passage or transition, link, binary, ternary, extended
ternary, simple rondo, sonata or cyclic forms. Questions on short
extracts of music designed to test the candidate's knowledge of the elements
and notation of music, including the realization of ornaments, the
identification and notation of underlying harmonic structure, phrase
structure, style and on the voices for which the works were written. |
TIME ALLOWED - THREE HOURS

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