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* Pieces with an asterisk denotes
the particular work is for Free Bass Performance ONLY
| A6 GRADE 6 Scales and
Arpeggios 10 marks
 | To play two octaves, ascending and descending, on both keyboards
together |
 | The major scales and arpeggios of D, E, Bb and Ab in similar motion
and of C in contrary motion |
 | The harmonic minor scales and arpeggios of A, B and G |
 | The melodic minor scales and arpeggios of A, E and D |
 | The chromatic scale on C |
 | Approx. tempo MM=112 two notes per beat. |
 | Touch legato or staccato, as requested |
Studies
 | To play one group of studies selected from List A 20
marks |
Pieces
 | To play one piece selected from List B 20 marks |
 | To play one piece selected from List C 20 marks |
Sight Reading 10 marks.
 | To play on the bass keyboard any major, minor or dominant seventh
chord, with or without any single bass note, and without the aid of chord
symbols |
 | To play, and interpret correctly, on the treble keyboard only,
passages including the appoggiatura, acciaccatura, upper and lower
mordent, bis and %. |
 | To play on both keyboards together pieces in keys up to and including
three sharps and three flats |
Aural Tests 10 marks
 | To sing, hum or whistle one, or all in succession, of three notes
played harmonically. These will form major or minor chords in root
position or either inversion. |
 | To state whether root position triads are major, minor, diminished or
augmented. |
 | To recognise root position cadences in major or minor keys as perfect
or plagal |
 | To identify certain features or a piece played by the examiner.
The features will be confined to contrasted dynamics, change in tone,
articulation, recognition of tempo changes and recognition of major and
minor tonality, of which the examiner will select one or two and advise
the candidate accordingly before playing the piece. Candidates are
encouraged to use Italian terms in their answers where appropriate. |
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To play one selection
from the following options |
| List A |
| 1. |
48 Exercises P8 No 26 P12 No 41, P14 No 48. |
F. Wright |
2 |
| 2. |
Work and Play Vol 3 P11 No 79 P7 No 70, P13 No
83 |
G Romani |
2 |
| 3. |
Work and Play Vol 3 * P11 No 79 P4 No 62 P12 No
81 |
G. Romani |
2 |
| List B |
| 1. |
Mazurka Alla Russe freom Master Music Makers |
J. Strauss arr Romani |
2 |
| 2. |
Theme & Variations from Accordion Progression
Bk4 |
J. Draeger |
3 |
| 3. |
Colette |
E. Harris |
6 |
| 4. |
Valse Romantique |
G. Romani |
2 |
| 5. |
Serenata |
Toselli arr G. Romani |
2 |
| 6. |
Valse Angelique |
G. Romani |
6 |
| 7. |
Sarabande from 'Barock Suite' |
V. Svedas |
10 |
| 8. |
Invention No 9 in A* |
T. Lundquist |
3 |
| 9. |
O'er Hill and Dale |
T. Tollefsen |
5 |
| List C |
| 1. |
Festival March |
F. Wright |
2 |
| 2. |
Rondo alla Zingarese |
F. Parnell |
6 |
| 3. |
Czardas Roumaine |
H.Minay |
2 |
| 4. |
Tango in D |
Albeniz arr Capaldi |
2 |
| 5. |
Cavalina Mia |
G. Crossman |
6 |
| 6. |
L'Arc En Ciel |
K. Broadhead |
2 |
| 7. |
Brasileria |
G. Crossman |
6 |
| 8. |
Das Spiel Der Drehoragak* |
A. Nagajew |
10 |
| 9. |
Song of Rest |
T. Pitfield |
2 |

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