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A.2                            Grade 2                        Secondary

Scales and Arpeggios. (20 marks) 

To play two octaves, ascending and descending, on the treble keyboard:

·        The major scale and arpeggio of C.

To play one octave, ascending and descending, on the treble keyboard:

·        The major scales and arpeggios of D, F and Bb.

·        The minor scales and arpeggios of A, E and D (harmonic or melodic at candidates choice).

To play one octave, ascending and descending, on the bass keyboard:

·        The major scales and arpeggios of C, G and F.

 (App. tempo: MM = 76, two notes per beat).  Touch: legato or staccato, as requested by the examiner

Pieces  (20 marks each piece) To choose ONE piece from each of the following Groups.

Group A

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Primary Course (p7, No15; p21, No 45; p14, No 28)                   F Wright                     Charnwood

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            Work and Play, Vol 1(p10, Nos 22 & 20; p21, No27)                    G Romani                   Charnwood

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            Work and Play, Vol 1(p10, No 20; p5, No5; p8, No15)*                G Romani                   Charnwood

Group B

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            Buttercup Meadows from “In the Country”                                    R Wright                Charnwood

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            Alpine Yodel from “Young Player Vol 2”                                       E Harris                   Charnwood

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            By the Seashore                                                                        R Wright                    Charnwood

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            Tartan Ribbons                                                                          K Broadhead              Charnwood

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            Minuet and Trio from “Mainly under the Fingers”                       F Parnell                    Charnwood

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            Easdale Waltz                                                                           J F MacIntyre              Charnwood

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Sweet Lavender Waltz                                                                 D Smith                    Charnwood

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Minuet from “Two Original Pieces” *                                            G Vasco                    Kestrel

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Minuet *                                                                              Bach arr H  Benton            Charnwood

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Rustic Ballad (version 1) *                                                          E Sabin                        Charnwood

Group C

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            Chucky, Ducky Polka                                                              K Broadhead                  Charnwood      

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            Miniature March                                                                   A Grace                          Charnwood

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               A Little Polka from “Preparatory Course”                              F Wright                       Charnwood

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            A Sleeping Warrior                                                                    J F MacIntyre             Charnwood

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            On Horseback from “In the Country”                                           R Wright                  Charnwood

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A Merry March from “Young Player Vol 2                                    E Harris                     Charnwood

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            Aolisch p12 from “Musik fur Kinder” Bk 2 *                                  W Koschorke            Schmulling

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            Autumn Evensong from “Mainly under the Fingers” *                  F Parnell                    Charnwood

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            Piccolissima Sonatina no 1 from “Allerlei” *                                  T Lundquist             M Hohner

Sight Reading. (10 marks)

To play on both keyboards, with hands moving separately simple passages in 2/4, 3/4, and 4/4 time, using accidentals F#, C#, and Bb (treble) in five finger position and C, G, D and F (bass) notes and major chords written without chord symbols.

Aural Tests. (10 marks)

·        To sing, hum or whistle a sequence of three diatonic notes played twice by the examiner in a major key, the tonic chord first having been sounded.

·        To identify the interval sounded above the tonic of the major scale as the 2nd, 3rd, 4th, or 5th degree. The tonic chord will be sounded first.

·        To clap or tap a time-pattern  of a simple melody of four bars in length after it has been played twice by the examiner, and to state whether it is in Simple, Duple or Simple Triple time. 

·        To recognise a rhythmic change in a two-bar phrase played twice by the examiner, with the change being made in the second playing.  Candidates will be required to recognise and tap or describe the change.

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Last updated: 06/17/07.